BY AMIRY FAHMI
‘Slowhand’
is Eric Clapton’s 5th solo album, released on 25th
November 1977 by RSO Records. Originally, the album only consists of nine songs,
including two hit singles ‘Wonderful Tonight’ and ‘Lay Down
Sally’, which reached various international music charts and were honored
with numerous awards and recording accolades.
The name of the album was derived from Eric Clapton’s
nickname, which was given to him by Giorgio Gomelsky – owner of Crawdaddy Club in London where The Rolling Stones, The Yardbirds regularly performed early on in their careers.
Later in 2012, the deluxe edition of this album was
re-released and remastered that contained bonus tracks: a great version of ‘Alberta’, and previously unreleased tracks ‘Looking
at the Rain’, ‘Greyhound Bus’, and ‘Stars,
Strays, and Ashtrays’. These comprise Disc One of the set.
Disc Two contained nine songs which were recorded live
during Eric Clapton’s performance at London’s Hammersmith Odeon on April 27,
1977. These include riveting versions of ‘Tell the Truth’, ‘Knocking on Heaven’s Door’,
‘Nobody Knows You When You’re Down and
Out’, ‘Stormy Monday’, ‘I Shot the Sheriff’, ‘Layla’ and many more.
All together this newer collection provides more than
two hours of stellar music – a total of 22 tracks. Prior to the re-released of
this album, the title of the album changed, ‘Slowhand 35th Anniversary’, to commemorate the 35 years
of this magical album.
While listening to this album, I was star struck at how
eclectic Eric Clapton is. His range of music can vary from country, to blues,
to pop and to even rock music. This album contained all elements of these
genres.
As a guitar player myself, songs like ‘The
Core’, ‘Cocaine’, ‘We’re All The Way’,
‘Lay Down Sally’, ‘Mean
Old Frisco’, and ‘May
You Never’ makes you
understand how Eric arranges his musical concept and how he puts it into the
final product. For instance, ‘May You Never’ is one of the peculiar method of song-writing that Eric Clapton
contributed. The song starts off with the chorus in the beginning, instead, of
the usual musical flow – that is the verse first, and then the chorus.
Other examples we can observe, is Eric’s blues
rendition over a 12-bar blues (just three chords played over 12 bars), in which
the guitar sings in correlation with the singer exquisitely – more or less like
a call-and-response.
Overall, should you listen to this album? My answer
depends on your taste of music. If you are interested and have been curious
about Eric Clapton, and have not heard of him before, then you should give it a
try. It is an album crafted by a master in song-writing, guitar playing,
coupled with a husky singer in pop, blues, country and rock music.
Apart from that, this is one of Eric Clapton’s commercially
and critically successful studio albums. Everything is interesting, from the
familiar songs to the newer releases and live materials. Hits like ‘Wonderful
Tonight’, and ‘Lay Down Sally’ will definitely get
you moving one way or the other. At least I did. Just sayin’.
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